Al-Hara Al-Masrya is the heroine of the Egyptian works presented by the Lebanese producer Sadiq Al-Sabah in his series “Meat Ghazal” and “Kings of Al-Jadana”. However, the decision to prevent the filming of the company’s works in Egypt two years ago, put these works in the dilemma of the emergence of the Egyptian street in a completely different way as it was filmed In Lebanon, it is one of the factors of weakness that adversely affected the exit of business in a completely different way from the Egyptian nature.
Cleavage in the decor of the popular lane
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The popular neighborhood decorations in the series “Kings of Al-Jadana” are among the elements that caused a rupture between their identity, expressed in the work as an Egyptian popular environment, with the well-known identity of popular areas, and the decoration that has already been implemented.
The popular areas, and specifically the market in the series, seemed more organized than the well-known Egyptian markets, so the attention to detail in excess for the sake of aesthetics contributed to the existence of a gap and to the Egyptian public in particular to feel alienated and disconnected from reality, and that the work is not related to Egypt and increased this feeling of seeking help. With groups of non-Egyptians at work, in addition to the landscapes and general atmosphere, such as the emergence of green spaces in different places unlike nature in Egypt.
This is what appears in the popular market and neighborhood scenes, and the Lebanese nature was clear in the scene of the killing of the character presented by the artist Hassan Al-Raddad at the beginning of the episodes, and the scene of the police station and the implementation of battles, and the mountainous nature appeared as a backdrop for some of the scenes.
The heroes have passed their age
As for the attempt to reproduce the duo between the artist Adel Imam and Saeed Saleh in “Peace, my friend”, it was not successful due to the lack of the same harmony in the representation between the two heroes of the work Mustafa Shaaban and Amr Saad, so the choice of director Ahmed Khaled Moussa for each of them was not successful for them to pass the required age for the character of the young thug And to present action scenes.
The script by author Abeer Suleiman did not contribute to saving the work, and it was not better than the rest of the elements, as it relied on ringing sentences in an attempt to spread and target social networking sites, without concern for the existence of a dramatic plot.
Asian market in “venison”
The series “Meat Ghazal” starring Ghada Abdel Razek faced the same problem. The Egyptian market, which was built specifically to work, is similar to Asian markets such as the markets of Lebanon, Syria and Turkey, whether in the case of organization or the scenes surrounding the shops, and even the paving of the land completely differently from the markets in Egypt in particular. “Bab al-Luq”, in which events take place, in contrast to its presentation in the episodes of the series “Musa,” whose director, Mohamed Salama, succeeded in implementing it more closely to reality.
The use of non-Egyptian groups in the market increased this situation and diverged from the Egyptian identity and spirit, which affected the overall look of the series. Director Muhammad Osama did not succeed in presenting work with an Egyptian spirit that suits the nature of the story that is taking place in a popular atmosphere.
In addition to Ghada’s repetition of the same theme that she presented in recent years that depends on crime, and the scenario’s focus on important details in the first episodes contributed to creating a void in the subsequent episodes, so the scenario seemed empty and without a strong plot that attracts the audience in order to overlook the element of decor and the surrounding nature.